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Yikes! In the throes of the last weeks of the last semester of my life, I totally forgot to put the three day warning up on this prompt. As compensation, have three more days! (New due date: November 6th.)
From film to traditional art to photography, it seems we're sailing through categories like the ocean were a single eyeblink, even with all these delays. Before too long we'll be organising our third contest, and we only just saw the back of the last one! Sometimes I wonder how you all keep up. Then I remember you're all awesome. The end.
On that note: Prompt Exercise No. 10!
First off, I'd like everyone to give a warm hand to Halatia, who suggested the use of macro photography for this prompt. That said, when you give a warm hand to a raptor, you're not going to get it back; don't give her the one you write with and you should be fine.
Below are three macro photographs of three different subjects. What they are (if it's not obvious to you) is listed in their Artist's Comments, but you'll have more fun with this if you put that knowledge aside. Let me explain why.
Your task is to choose one small section of one of these photos and zoom in on it through your writing. Just as an extreme close-up of an object can utterly change our perception of it, so should your description of the section you choose change our perceptions of it. Look for shapes or colours that interest you, or intersections, or contrasts; anything which you feel you can bring to life through a sharp, detailed description. Your goal here is to reveal something new through the use of a tight focus--to macro the macro, as it were.
And even though we're asking you to evoke something quite minute in great detail, don't be afraid to use what you find as a jumping off point for a deeper exploration of your chosen themes, or as a metaphor for something wider. A pure macro translation is the exercise, but the exercise needn't be your finished piece--please bear that in mind if you feel unnerved at the thought of writing a literal capture!
Submit your finished work to the Transliterations Prompt 10 Folder. All pieces submitted by the deadline will receive a news feature and a journal feature from myself.
The deadline for this prompt is November 1st. Lastly, my thanks go to anun, Dave-Heyborne and Lissuin for allowing us to use their wonderful photographs in this prompt. Finding suitable deviations for this task was a real challenge, but looking at these three on the page is a reward in itself. If you write for this prompt, please don't forget to stop by their pages and show your appreciation!
From film to traditional art to photography, it seems we're sailing through categories like the ocean were a single eyeblink, even with all these delays. Before too long we'll be organising our third contest, and we only just saw the back of the last one! Sometimes I wonder how you all keep up. Then I remember you're all awesome. The end.
On that note: Prompt Exercise No. 10!
First off, I'd like everyone to give a warm hand to Halatia, who suggested the use of macro photography for this prompt. That said, when you give a warm hand to a raptor, you're not going to get it back; don't give her the one you write with and you should be fine.
Below are three macro photographs of three different subjects. What they are (if it's not obvious to you) is listed in their Artist's Comments, but you'll have more fun with this if you put that knowledge aside. Let me explain why.
Your task is to choose one small section of one of these photos and zoom in on it through your writing. Just as an extreme close-up of an object can utterly change our perception of it, so should your description of the section you choose change our perceptions of it. Look for shapes or colours that interest you, or intersections, or contrasts; anything which you feel you can bring to life through a sharp, detailed description. Your goal here is to reveal something new through the use of a tight focus--to macro the macro, as it were.
And even though we're asking you to evoke something quite minute in great detail, don't be afraid to use what you find as a jumping off point for a deeper exploration of your chosen themes, or as a metaphor for something wider. A pure macro translation is the exercise, but the exercise needn't be your finished piece--please bear that in mind if you feel unnerved at the thought of writing a literal capture!
Submit your finished work to the Transliterations Prompt 10 Folder. All pieces submitted by the deadline will receive a news feature and a journal feature from myself.
The deadline for this prompt is November 1st. Lastly, my thanks go to anun, Dave-Heyborne and Lissuin for allowing us to use their wonderful photographs in this prompt. Finding suitable deviations for this task was a real challenge, but looking at these three on the page is a reward in itself. If you write for this prompt, please don't forget to stop by their pages and show your appreciation!
Prompt 14: The Conclusion!
In the best traditions of transliterations, we’re a little late with the wrapping up article. We’d hate to disappoint you by being on time. (I'm not as beautifully striped as the usual wrapper-upper but I'll do my best to wrap up regardless. zebrazebrazebra (https://www.deviantart.com/zebrazebrazebra) will be back at the helm soon.)
It was a little over a month ago that we showed you twelve pictures a little like the ones below. We asked you to pick two and translate the space between them.
So you did.
We received a veritable smorgasbord of submissions (seven, specifically). Please take the time to read them:
Please also give some love to the photographers of the pi
Prompt 12: The Conclusion!
Late, fail, suck, yes. Moving on.
A little over a month ago we asked you to find one or more things in the above video which you'd never noticed as a child, or never noticed on your first watching, or which you had noticed but wished you hadn't, because they involved octopus boob. Then we asked you to take those elements and transform them into something of your own. We received ten submissions in total, with imagery ranging from voices to shells to pens and keys and the ever-present presence of the ocean. More interesting, though, was the consistently strong focus on the emotional content of the excerpt rather than the visual.
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Prompt 12: The Beginning!
:new: There's just ONE DAY LEFT to enter this prompt. Come on, kids! It can't take this long to get a donkey off!
The deadline for this prompt is being extended to June 20th, because we've only had four entries and, by extension, you all suck donkey balls. Hop to it!
There's just TEN DAYS LEFT to enter this prompt! Grit your teeth, sweep your hair aside and sign away your underwater existence. And while you're at it, write something for transliterations (https://www.deviantart.com/transliterations). Be part of our world!
It's been over two months since the results for the Modernising Myths Contest were announced, when I promised the next prompt would be up "very soon". The words
Prompt 11: The Conclusion!
My apologies once more for the delay in closing off this prompt; those of you who have read my journal know what's being going on, and I hope you can all forgive me. But I can never stay away from here for long, not while I have hands to type and eyes to read and a brain to think up creative torments, so here we are!
Three weeks or so ago we asked you to choose an instrument and translate its timbre into a piece of literature. What do we mean by timbre? It's the unique quality that makes an instrument sound like itself and not like something else--the rasp and swing of a violin, the hollow centre of a clarinet and the badass jangle of an ele
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Can I only do one?
Because I already did all three X)
Because I already did all three X)